Tomato

…in the manner of Ellisabetta. Abruzzesi women seem congenitally beatific. They endure, they temper, they are faithful to their own notion of life and betray none of the gnashing dramatics of those Italian women who seem to burlesque passion, who remain in pain eternal, fanned if only by the postino’s tardiness. The Abruzzesi are intrinsically more dignified than those. As wives and mothers, the Abruzzesi seem more revered than leaned upon. Not the archetypal massaia, farmwife, a woman of the Abruzzo historically worked the fields, made bricks, and piled them up into rude buildings with the same good sentiments with which she told fables to her children and suckled her baby. There are many stories, in fact, of women of the Abruzzo that I might tell you. I could tell you about Francesca Cipriani. Well into her seventies, slender, of fine bearing, her long, silver hair pinned up under a kerchief, she speaks eloquently of what it is to live in an isolated mountain village at the end of this millennium. She knows very well that hers is the last generation with the will to stay there inside the small rhythms of its solitude. She is of the village of Campotosto, long and still famed for its plump, rough-textured sausages. She is one of the last artigiani—artisans—who build, by hand, the mortadelline di Campotosto. We were hard put, though, to talk her into selling a few of them to us. She said that this last batch had not yet had time to age properly and that she simply would not sell them in their unfinished condition. We told her that we had a woodshed much like hers and that we lived, not so high up as she, but nevertheless, in the mountains and that we would promise to hang the little sausages there in our own crisp, cold, oak-scented air. She consented. As we were driving away, she raced after the car, counting on her fingers and calling to us, “Lasciatele appese fino al giorno di Pasqua e a quel punto saranno perfette”—“Leave them to hang until the day of Easter, at which point they will be perfect.” We did exactly as she said, taking Francesca’s mortadelline from the woodshed on Easter morning, slicing them thickly, and eating them with a soft, buttery pecorino bread for our Easter breakfast. And then I could tell you about Elisabetta. We found her in the countryside between Anversa and Cocullo. We saw a sign fixed to a tree, penned in a child’s hand, we thought, that read, LA VERA CUCINA ABRUZZESE. COME ERA UNA VOLTA. THE TRUE COOKING OF ABRUZZO. AS IT ONCE WAS. It was, after all, nearly noon, and the invitation was, indeed, irresistible. We pointed the car, as the sign’s arrow indicated, down the narrow, scraggly lane. We stopped in front of the only house. There was a puppy sitting among the weeds and wildflowers, a starched, white napkin laid before him like a tablecloth and beset with various little dishes. After wishing him a buon appetito, we turned to the door. Another sign, in the same child’s hand, invited us to ring the bell if we were hungry. We rang the bell. And there came Elisabetta. A rosy wool skier’s cap pulled low over her brow, her thin, tiny body swathed in long skirts—one piled over another for warmth—and scuffed black boots composed her costume, all of it ornament to her caffè-latte-colored skin and the great, gray sparklers she had for eyes. Elisabetta, now seventy, began her career as a restaurateur at sixty-one. She was just coming into her stride, she told us. Since we had arrived much too early for lunch, she sat us down in the kitchen in front of an old whisky bottle filled with cerise-colored wine and two tumblers. She puttered about, chopping and stirring and such, talking about her life, her adventures, how, when her then twenty-year-old son was sent to Sicilia for his military service, she went along. Because she feared the boy would miss her too much and because she feared, too, she migh...

The cooling green tint of the sauce, its reserved, sensual sort of piquancy, make this a pasta good for high-summer lunch or supper after insalata di cantalupo (see page 22).

Here is a simple presentation of the components of Rome’s saltimbocca embroidered with spring peas and tomatoes.

Baccalà is of ancient Roman favor. The methodology of its preservation was one cultivated during their campaigns in the north, where they learned to embalm a catch of the great, fat cod under unpounded crystals of sea salt, reviving it for meals both festive and humble. Stoccafisso differs from baccalà in its fundamental cure, as it, having no encounter with salt, is simply hung out to dry in the winds moaning up from the North Sea. In either case, once plumped in its renaissance bath of cold water, the cod flesh is tender and, when cooked gently, its flesh takes on an almost creamy texture. The yield of a correctly reconstituted and properly cooked fish, well conserved in either way, is quite the same. This is an unexpectedly delicate dish, the raisins foiling any saltiness that might linger in the fish, while the Cognac softens the acidity of the tomatoes.

For nearly a century, the mattatoio, the slaughterhouse, of Rome was fixed, south of the city’s center and flanked by Porta San Paolo and the Piramide di Caio Cestio, in the quarter of Testaccio—a hillock formed by the dross of terra-cotta amphorae that held olive oil and other comestibles imported into the city. Of an eloquent, uncompromised Roman character, the quarter grew up simple little houses in whose kitchens were cooked the humble remains of the butchers’ art, transforming the offal into i piatti fortissimi—the strongest plates—to serve to the workingmen for lunch. Il mattatoio has long since been relocated, but the Testaccio still practices the most orthodox Roman gastronomic traditions, building dishes such as nervetti in insalata, a salad of poached calves’ feet, coda alla vaccinara, (see page 4), pajata, the grilled or braised intestines of a calf or an ox, and trippa. As prosaic as are the formulas for these dishes, the manner in which they are presented is also prescripted. First, if the proprietor in any one of the neighborhood’s tabernae—Romans swing easily in and out of Latin, as in this usage for taverns—doesn’t approve one’s general look or demeanor, he will point, steely, to a little sign marked COMPLETO, reserved, that is fastened, permanently, handily for such occasions, to a rope of salame suspended from the rafters. If he does deem to seat one, neither he nor his colleagues will be charmed if one speaks Italian. It is only the dialect of Rome that is shouted in the Testaccio. It seems best to communicate, through eye-rolling and hand-flailing, that one wishes all decisions to be made by the house, that one is armed with magnificent appetite, and that one shall remain serene and unrepining at whatever part of whatever animal may be set before one. Our place of choice to be fed like a Roman is called Da Felice, an unsigned post in Via Mastro Giorgio. We go always of a Saturday so we can always eat tripe. Soaked in water and vinegar, urging the nastiness from its pores, the tripe is poached before it is sautéed in a battuto (the fundamental vegetable, herb, and fat flavoring for a sauce) of pancetta, olive oil, and garlic, then braised overnight on the quietest flame in tomato, white wine, and wild mint. A Saturday ritual in the Testaccio, as well as in every genuine osteria and trattoria in Rome, la trippa is served in deep bowls, under a dusting of pecorino, with chunks of rough bread and a jug of Frascati. Food of the poor is this tripe, flotsam conjured into a flavorful, cockle-warming stew, one that a sage Roman wouldn’t trade for a big, bloody beefsteak, not even one flounced in truffles.

Braised meats are ideal for any large gathering because much of the work can be done the day before. In my opinion, braises actually taste better when the flavors have had time to meld and develop. And in the braising process, not only have you cooked the meat, you’ve also created a sauce. Osso buco is a classic braised dish of northern Italy, usually garnished with gremolata, a popular condiment made of minced lemon zest, parsley, and garlic. That’s fine in the winter, but in spring, I like to add two of my favorite spring ingredients: peas and pea shoots. It’s a brighter rendition of the traditional preparation. The risotto, perfumed with saffron, is the perfect starch for spooning up with the braising juices. I’m usually pro-cheese, but in the case of this risotto I find myself torn. Though the Parmesan gives the risotto richness, without it the dish is a little lighter and “more of the season.” You decide.

My first real chef position was at Alloro, a small Italian restaurant in Boston’s North End. In this all-Italian neighborhood, the owner was not Italian, but rather a Portuguese guy named Armando. Some cultures care more about food than others, and, like the Italians, the Portuguese are definitely devoted to their cuisine. Armando loved to tell me about the Old Country and the dishes his mother made for him when he was growing up. This dish is traditionally made with pork loin, but when I tried it, the loin was dry and didn’t seem to marry well with the flavors of the clams. So I decided to try it with pork confit, which would get crispy on the outside but stay meltingly tender on the inside. To give more pork flavor to the broth, I added chorizo and came up with my own version of pork (and pork!) and clams. In honor of Armando, I always make my pork and clams with fried potatoes. If he had his way, everything would come with fried potatoes.

This fiery North African condiment is a Lucques favorite.

This dish was inspired by a trip to Tunisia a few years ago. I fell in love with the Tunisian cooks’ use of spices and the bowls of harissa served with every meal. What surprised me most was the use of caraway, which I had always thought of as an Eastern European spice. For this Tunisian-flavored stew, I season the lamb shoulder overnight with caraway, coriander, chiles, cayenne, and paprika, and then braise it in an aromatic broth with cinnamon and allspice. For a traditional braise I usually deglaze with wine, but in keeping with Muslim prohibitions common in Tunisia, I refrain and substitute lemon juice, which also adds a bright, acidic note to the stew.

This dish takes me back to Pantelleria, a tiny volcanic island in the Mediterranean, situated between North Africa and Sicily. Undeveloped and relatively untouched by the modern world, the island is famous for two things: the caper bushes that dominate the dry, brush-covered hillsides of the rocky coast, and resident Giorgio Armani. My husband and I spent a magical week in that salt-drenched haven, eating grilled, freshly caught tuna; bowls of couscous; and salads of tomatoes, potatoes, and capers. The grilled tuna and the combination of tomatoes and potatoes in this dish are a tribute to those leisurely days on Pantelleria. And though rouille isn’t part of their Moorish-meets-Italian culinary lexicon, I’m sure the Pantellerians would love this saffron-tinted, spicy pepper mayonnaise.

This is the dish to make in the middle of the summer when heirloom tomatoes are everywhere. I can think of few more satisfying things to eat. Bottarga, considered the caviar of Sicily, is a delicacy made by drying tuna or mullet roe in the sun until it forms a dense, rust-colored block. Here, it’s shaved and tossed into the pasta, adding a deep oceany essence and salty-savory contrast to the sweet summer tomatoes.

Maine has lobster and Maryland has soft-shell crabs, but the prize shellfish of Southern California is the Santa Barbara spot prawn. Spot prawns have a softer texture than most shrimp and are best when cooked in their shells, heads on. As the shrimp shells caramelize in the pan, they leave behind crispy bits that infuse the sauce with a rich shellfish flavor. Besides, they’re fun to eat out of the shell, and they make for a beautiful and dramatic presentation. Serve the spot prawns with salt and lemon and a big hunk of crusty bread. This is a messy feast, so choose guests who will enjoy participating in such a primal feeding frenzy.

This tart has all the boisterous Mediterranean flavors of pasta puttanesca: tomatoes, anchovies, capers, and olives layered on puff pastry and caramelized onions. Make a tapestry of red, yellow, and orange by layering different-colored heirloom tomato slices over the onions. Though I usually want to put cheese on everything, this tart doesn’t need it. The tomatoes are the stars, so let them shine.

My father hated salad. I remember him saying, “The only salad worth eating is one with green beans and foie gras, because it’s not all mucked up with lettuce.” And yet, somehow, I grew to love salads, especially the kind with leafy greens. This lettuce-free, classic steakhouse salad, made with first-of-the-season Early Girl tomatoes, sweet young red onions, and slabs of potent Roquefort, is a tribute to my dad, who I know would approve.

I first discovered bluefish when I was working at Angels, a restaurant in Providence. I was fresh off the boat from California when Jamie, the chef, and Eileen, his sous-chef, began introducing me to all the local food specialties. First they took me to a salumeria on Federal Hill, the Italian district of Providence, where the prosciutto was called “prah-jhute” and ricotta was “rha-got.” Then one day they brought in smoked bluefish. We piled it high on crusty Italian rolls, and topped it with sliced red onions, lemon, and way too much crème fraîche. I was in Rhode Island heaven. In honor of that beguiling and unforgettable fish, here I wrap fresh bluefish in pancetta to give the fish a salty, smoked flavor. Served with a yellow tomato sauce, juicy slices of heirloom tomatoes, and garlicky aïoli, this is my tribute to summer in Rhode Island.

This warm salad is pure southern France: tomatoes, olives, anchovies, basil, green beans, and soft-cooked eggs. It’s easy to make, but it helps to do some of the steps beforehand. As long as your spinach is cleaned and your haricots verts, potatoes, and eggs are cooked, you won’t have to do much until the last minute, when you’re pulling it all together. While your potatoes are roasting in the oven, light the grill, have a glass of rosé, and look calm, cool, and collected as you wait to finish the last-minute tasks. Recruit an unsuspecting guest or your significant other to grill the halibut while you brown the anchovy butter and finish the warm salad.