European

This is a more contemporary version of one of the standbys of Italian-American cooking. Instead of coating a thin, breaded, and fried chicken cutlet with tomato sauce, I like to top a chicken thigh with sliced fresh tomatoes and slices of fresh mozzarella or Fontina cheese.A light sauce made with fresh tomatoes and basil finishes the plate. Fontina is a mellow, lightly aged cow’s-milk cheese that melts beautifully. Take the time to search out Italian Fontina—you’ll appreciate the creamy difference. You can prepare this dish using veal or pork cutlets as well (see variations below).

The finished sauce will be lightly thickened by the bread crumbs that fall into it as the chicken bakes. My favorite way to serve this is with simply steamed green beans: set the chicken on top of the beans and pour the tasty sauce around the chicken, not over it—you want the bread crumbs to stay crunchy.

Poussins—young chickens that weigh about 1 pound each—are great for this dish. Figure on one per person, and cut them into pieces at the joints; there’s no need to cut them into smaller pieces across the bone. As good as poussins are, I made this dish using supermarket-bought fryer chickens, because I want to be sure you try this delicious recipe. The secret to golden-brown chicken pieces is to leave them be as they cook. They will brown better if you’re not constantly turning them or checking on their progress.

For this dish I prefer luganega, a thin (about 1/2-inch-wide) pork sausage seasoned only with salt and pepper and without fennel or other seeds. If that is unavailable, use the wider (about 1-inch-thick) sweet pork sausages, preferably made without aromatic seeds of any kind. Cut the smaller luganega into 1-inch lengths, and the wider sausages into 1/2-inch lengths. When I cook a whole chicken, or any chicken on the bone, I always salt it three times: in its raw state, when I first begin to cook it, and as it finishes cooking. It seems that the first two saltings are absorbed and somewhat dissipated, especially if you add more ingredients as the chicken cooks. The last salting should be to balance the whole act. Each time you salt, it should be done judiciously, to avoid oversalting and ruining the dish.

The caccia in cacciatore means “hunt,” so I guess this is chicken hunter’s-style. Somewhere along the line—probably on its trip from Italy to America—the hunter’s pheasant or guinea hen in this dish was replaced by chicken. If you don’t want to cut up a whole chicken, you can buy pieces—get all legs and thighs, if that’s what you like; they are very good in this dish. It can be made using only chicken breasts, if that’s your preference, but to keep the chicken from drying out, you should cut the cooking time in half, and reduce the wine to 1/4 cup and the tomatoes to 3 cups. Best of all, though, is to make this dish with an older hen. In that case, increase the cooking time by 20 minutes, adding more water or stock as needed to keep the hen pieces covered as they cook. When you cut up chicken, or anything for that matter, your knife should glide along. If you’re struggling, stop for a second and take a look at what you’re cutting; you should be cutting between the bones at the joints, not actually cutting through the bones. If you’re off target, just wiggle the blade of the knife to get a feel for where the joint is, then make another cut. With practice, you’ll get a sense for where the joints lie.

The title of this dish, alla sorrentina, means it comes from Sorrento, across the bay from Naples. You may have had this dish prepared with mozzarella cheese, which is the cheese of the area, but I am showing you an alternative way here, using Fontina. Use whichever you like, and whichever you can get. By the way, alla sorrentina is a good indicator that the dish you order will contain eggplant in some form or another. If you prepare this dish without the eggplant, you’ll have scallopine alla bolognese. You can add a little elegance to the dish by straining the sauce as you spoon it onto plates. That is something I do in my restaurants. But in my home—and most likely in yours—the sauce is just fine the way it comes out of the baking dish.

Cooking is all about making decisions. Sometimes you have to decide if you are going to have great looks or great flavor. Of course, I try to have both, but if it is ever a question of giving up one or the other, I always go for the best flavor. In this dish, for example, lightly cooked peppers would look brighter, but I prefer the flavor of peppers that have simmered until they begin to break down. So I cook them longer, for better flavor. Choosing two different-color peppers helps make up for what little we lose in appearance by cooking the peppers fully. Fresh herb sprigs serve as more than decoration. The heat from the dish releases the aroma and adds to the enjoyment.

Cerignolas are large green olives, each the size of a plump almond, with a very nutty, buttery flavor. They are usually kept in brine. If you cannot find them, other brined green olives will do. But use the ones with pits, which you will remove. They have more flavor.

You may be surprised to see that there is no stock or wine in this dish. I prefer to let the sausages and vegetables simmer in their own juices. The flavors blend and mellow a little, but still stay intense. The key to making really wonderful sausage and peppers is to caramelize each ingredient separately, then to pile them into a baking dish and finish them in the oven.

If you intend to dry these sausages, make sure they are kept in a well-ventilated, cool (35- to 42-degree) place. They will be ready to eat about 2 months from the time you hang them. You can vary the spices in this recipe to make different-tasting sausages. For example, in the north of Italy cinnamon is added, while in the south and here in the States, fennel seeds, crushed red pepper or pieces of dried tomatoes, and sometimes cubes of caciocavallo (semi-fresh cheese) flavor the sausages. As with all fillings, it is a good idea to cook a little bit of the meat mixture before stuffing the casings. Taste the cooked sample piece of sausage and adjust the seasoning to your liking if necessary.

The sugar in the honey helps to caramelize the pork, onion, and pears as they oven-braise. It is a technique that works well with other roasted meats and birds as well. Just mix a little honey with the pan juices and baste or brush the roast with that during the last 10 minutes or so of roasting. For some dishes, you want the onions cut fine, so they almost disappear. Here, I cut the onions large—and the pears, too—so they keep their shape and don’t fall apart. Even when ripe, Bosc pears stay firmer than most, making them just right for this dish.